Dieter Roelstraete


Dieter Roelstraete is the curator at the Neubauer Collegium for Culture and Society at the University of Chicago. His curatorial interests concern the relationship between art and politics, art as a species of knowledge, art work as intellectual labor, and the conception of exhibition-making as a form of writing. As a critic and theorist, he has lectured and published extensively on the art & research nexus, as well as the “problem” of pleasure in art. Other long-standing research interests concern the realist tradition and the enigma of thingness. Roelstraete was initially trained as a philosopher at the University of Ghent in Belgium; the long history of art’s tangled relationship with philosophy decisively colors much of his curatorial and critical work.

Roelstraete served on the curatorial team convened by artistic director Adam Szymczyk to organize Documenta 14 in Athens and Kassel in the spring and summer of 2017. As Manilow Senior Curator at the Museum of Contemporary Art Chicago from 2012 until 2015, he organized Goshka Macuga: Exhibit, A (2012); The Way of the Shovel: Art as Archaeology (2013); Simon Starling: Metamorphology (2014); The Freedom Principle: Experiments in Art and Music 1965 to Now (2015, co-curated with Naomi Beckwith); and Kerry James Marshall: Mastry (2016, co-curated with Ian Alteveer and Helen Molesworth; traveled to the Metropolitan Museum of Art, New York, and the Museum of Contemporary Art, Los Angeles). From 2003 until 2011 he was a curator at the Antwerp Museum of Contemporary Art (MuHKA) in his native Belgium, where he organized large-scale group exhibitions as well as monographic shows, including Emotion Pictures (2005); The Order of Things (2008); Liam Gillick and Lawrence Weiner—A Syntax of Dependency (2011); A Rua: The Spirit of Rio de Janeiro (2011); and Chantal Akerman: Too Close, Too Far (2012).


The Other Transatlantyk: Op & Kinetic Art in Eastern Europe and Latin America, 1950-1970

with Marta Dziewanska and Abigail Winograd, Warsaw: Museum of Modern Art

The Freedom Principle: Experiments in Art and Music, 1965 to Now

with Naomi Beckwith, University of Chicago Press

The Way of the Shovel: On the Archaeological Imaginary in Art 

University of Chicago Press

Chantal Akerman: Too Far, Too Close (Antwerpen: Ludion, 2012)



Kleine Welt: Paul Klee + Zachary Cahill, R. H. Quaytman, David Schutter, Chicago: Neubauer Collegium, 2019

Anna Daucikova & Assaf Evron: FOR, Chicago: Neubauer Collegium, 2018

Machines à penser, Venice: Fondazione Prada @ 16, Architecture Biennial, 2018

Cecilia Vicuña: Palabrarmas, Chicago: Neubauer Collegium, 2018

Slight Agitation 3/4: Gelitin, Milan: Fondazione Prada, 2017

Documenta 14, Athens & Kassel, 2017

The Other Transatlantic: Kinetic & Op Art in South America and Eastern Europe, 1955-1970 (with Marta Dziewanska & Abigail Winograd), Warsaw: Museum of Modern Art Warsaw, 2016 [exhibition traveled to Moscow: Garage Museum for Contemporary Art & Sao Paulo: SESC Pinheiros]

Kerry James Marshall: Mastry (with Helen Molesworth & Ian Alteveer), Chicago: MCA, 2016 [exhibition traveled to New York: Metropolitan Museum of Art & Los Angeles: Museum of Contemporary Art]

Recto Verso (with Shumon Basar, Cedric Libert & Elvira Dyangano Ose), Milan: Fondazione Prada, 2015


Andrei Pop
Andrei Pop
Modern Art and Aesthetics
1130 East 59th Street